Layla — solo
A small tweed amp pushed to the edge in the studio, sweet rather than snarling.
- Guitar
- Strat, bridge pickup
- Guitar volume
- 10
- Guitar tone
- 8
- Amp — Volume
- 10
- Amp — Treble
- 6
- Amp — Bass
- 4
- Boost
- Overdrive to taste
Solo / Cream
Made a Les Paul through a cranked Marshall the sound of British blues, then moved to a Stratocaster and a cleaner, more vocal tone.
Known for: Sunshine of Your Love, Layla, Crossroads
8
gear entries
8
with sources
Used on White Room and countless live solos.
A low-gain boost in front of the amp from the '80s onwards.
Clean headroom for the loud Cream-era live shows.
The 2x12 combo that defined his early overdrive.
Vintage Fender power.
The humbucker-through-Marshall sound of the mid-'60s blues records.
Assembled from three Strats in 1970 and played for fifteen years.
Blocked tremolo and Vintage Noiseless single-coils.
What to dial in to chase Eric Clapton's signature sounds — knob positions, pickup choice and amp EQ as documented.
A small tweed amp pushed to the edge in the studio, sweet rather than snarling.
Woman tone: humbuckers into a cranked Marshall with the guitar tone rolled right back.