My Name Is Mud
Fretless with the envelope filter and a whammy for the growling, sliding line.
- Bass
- Carl Thompson, both pickups
- Volume
- 9
- Tone
- 8
- Envelope filter
- On, medium
- Whammy
- Octave down, to taste
- Amp — Bass
- 7
- Amp — Treble
- 7
Primus
A fretless custom bass through a wall of effects, tapped and slapped into shapes nobody else makes.
Known for: My Name Is Mud, Jerry Was a Race Car Driver, Wynona's Big Brown Beaver
4
gear entries
4
with sources
Used for the odd, percussive repeats.
The envelope filter behind his cartoonish lead tone.
A big, clean head for the effects chain.
His custom basses, built to his spec.
What to dial in to chase Les Claypool's signature sounds — knob positions, pickup choice and amp EQ as documented.
Fretless with the envelope filter and a whammy for the growling, sliding line.
Tapped and heavily effected, with the delay set short and tight.