Everyday I Have the Blues
Brighter and more percussive, played behind the beat with the bridge pickup mixed in.
- Guitar
- ES-355, both pickups
- Guitar volume
- 9
- Guitar tone
- 8
- Amp — Volume
- 5
- Amp — Treble
- 7
- Amp — Bass
- 5
Solo
Named his guitars Lucille and played them with a vibrato nobody has matched — a semi-hollow Gibson through a solid-state amp, almost always clean.
Known for: The Thrill Is Gone, Lucille, Everyday I Have the Blues
4
gear entries
4
with sources
The solid-state combo he toured with for decades.
An earlier Lucille with a stop tailpiece.
Semi-hollow with a Varitone switch, named after a 1949 club fire.
Heavier strings for the deep, wide vibrato.
What to dial in to chase B.B. King's signature sounds — knob positions, pickup choice and amp EQ as documented.
Brighter and more percussive, played behind the beat with the bridge pickup mixed in.
Neck pickup, tone back, amp clean with a touch of breakup — the vibrato does the singing.