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A staple of his board.
His signature wah.
Ridden constantly, often with the amp already screaming.
Used as much for texture as for solos.
The wah on the Sweet Child o' Mine intro.
Used sparingly on the funkier numbers.
Used on White Room and countless live solos.
Ridden through nearly every solo.
Used for the stranger, more textured parts.
Used for the filter sweeps.
The most-used pedal in his rig.
Used for the funkier instrumentals.
Used in the more aggressive passages.
For the dive-bombing solo lines.
Used on nearly every solo.
His signature wah, nearly always engaged.